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历史与戏说 ——后现代语境下历史电视剧的娱乐价值取向
时间:2011-03-05 浏览次数:1194次 无忧论文网
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文艺学
文艺传播学文艺传播学
    文学“戏说”历史的传统由来已久,《封神演义》、《高祖还乡》等均是例证。但近年来的历史题材电视剧热播,其“戏说”风格经大众传媒推波助澜,成为一种前所未有的奇特文化现象,引起了学术界的重视与评说。本文试图以后现代文艺理论为视角,探讨大众文化现象中的历史剧的“戏说”现象与其娱乐价值取向,追踪它存在的理论根源;探寻“戏说”式历史电视剧的后现代表现方式;提出作者对后现代主义语境下“戏说”式历史电视剧的理性批判。本文导论部分主要介绍近年来历史剧戏说倾向的基本状况、学界对其研究的大致情况,说明本人的研究角度为后现代语境下历史剧的娱乐价值取向。第一章着重介绍大众文化的特征及其对中国影响,以及后现代有关影视文化的批判。第二章主要分析后现代语境下历史电视剧的娱乐价值取向及其原因,电视剧是后现代大众娱乐文化中的主要娱乐产品之一,极具大众文化的符号、娱乐、消费等特质。第三章主要分析后现代语境下历史电视剧娱乐因子的演绎方式,说明后现代的文本主要以戏仿、拼贴、挪用、碎片互文、播撒等方式对历史进行涂抹与重构,生成各具特色的娱乐产品。第四章主要对后现代语境下历史电视剧的娱乐价值取向加以批评,反思历史真实性与消费文化的功利性等矛盾,指出历史剧艺术中应有的哲理追求。结语提出了把“戏说”式历史电视剧纳入到后现代主义的语境中进行解读的必要性。对“戏说”式历史电视剧的出现与风靡,我们多了一份新的理解与判断的维度。 [英文摘要]:     It has a long history for funny with the history by frolic in the Chinese literature or others, just as some Chinese stories known as “A historical novel of apotheosize” and “Liu-bang, the Han emperor back home-town after success” and etc. while, as a kind of culture phenomenon, the fun function of historical teleplay has been creating like hot cakes by the stronger modern media in China during the lastest years, and it’s so markness to us as the popular culture. Based on the theories of post-modernism, the paper has probed into the historical teleplays’ funny oriental phenomenon, tracked down the original reasons and theories, analyzed the patterns of funny facts in historical teleplays, and then given some comments on historical teleplays by post-modernism context. The introduction introduces some bacic phenomenon of the fun function in some Chinese historical teleplays and the lastest academic research about it, and sets for that I just like to probe into the fun function of the history teleplays by the literature theories of post-modernism. Chapter I introduces the character of popular culture and some comments on film and teleplay by post-modernism. Chapter II analyzes briefly the reasons caused the fun function of historical teleplays by post-modernism context. Being one of popular culture products,teleplay has its particularity whit symbol, funny and consumption and enjoyment. Chapter III analyzes briefly the patterns for funny facts in teleplays by post-modernism context. the text of post-modernism teleplay are rewroten or reconstructed with fragment, collage, embezzlement, intersexuality, dissémination, and then created the cultural produts with funny and enjoyment particularity. Chapter IV comments on the historical teleplays’funny phenomenon, turns over to think the antinomy beteewn the materialism and historical humanity,and the pursuit of artic philosophy in historical teleplays. The end sets forth that it is necessary for us to understand the fun function of historical teleplays by post-modernist context, with such a view, we can get a new window and dimension to insight the shower of historical teleplays as popular culture.    
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