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中国电影“第六代”研究
时间:2011-02-16 浏览次数:1309次 无忧论文网
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    “第六代”导演是上世纪60年代出生、80年代接受电影教育、90年代初登上历史舞台的一批电影人。他们在中国社会的大转型时期成长,遭遇了最艰难的电影环境,在不得已的情况下选择了一条特立独行的道路。历经十年身处边缘的挣扎,他们终于从被忽略到被拒绝再到被接受,以自己的亲身体验见证了中国电影从封闭到逐渐开放的过程,革新了前一代电影人的电影语言和美学风格,并用他们的个人创作将中国电影带入了一个无“代”的时代。
    本文试图在中国电影处于深刻转型的当下,梳理第六代的成长过程,重新定义他们在中国电影史上的地位,和他们与中国电影体制之间的互动关系,以及他们在新的电影环境下将要面临的抉择。
     [英文摘要]:     The “sixth-generation” of Chinese directors are certain filmmaker that born in the 60’s. They received film education during 80’s and started their time in the 90’s. They grew up in the period of big society changing which is the most difficult film- making environment. They had to choose another way. After struggled in the edge of the film system for 10 years, they were finally accepted instead of neglected and refused. They experienced the process from close to open of Chinese film- making on their own and redefined the movie language and the aesthetic style of the generation before. They bring Chinese movies into a no “generation” time by their own works. This article is trying to pack up the grown-up experience of the six-generation in the time of deep changing of Chinese movie, redefine their position in the Chinese movie history. Expose their relationship between the film system and also the choice may occur to them in the new film-making environment.
     
        
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